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In the case of sitcoms with studio audiences, this line cut is typically displayed to them on studio monitors.The line cut might be refined later in editing, as often the output from all cameras is recorded, both separately and as a combined reference display called the q split.
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It is often contrasted with single-camera setup, which uses one camera.
Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room.
Before the pre-filmed continuing series became the dominant dramatic form on American television, the earliest anthology programs (see the Golden Age of Television) utilized multiple camera methods.
Multiple cameras can take different shots of a live situation as the action unfolds chronologically and is suitable for shows which require a live audience.
The multiple-camera method gives the director less control over each shot but is faster and less expensive than a single-camera setup.