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Even more insidiously, these users manipulated Tay to harass their human targets; technologist Randi Harper, for instance, found Tay AI tweeting abusive language at her that was being fed to the chatbot by someone she’d long ago blocked. The treatment of Tay AI and so many other feminine bots and virtual assistants shows us how men would want to behave, to service professionals in general and women in particular, if there were no consequences for their actions., or “Rossum’s Universal Robots”). This play, by definition the first work about robots, set the pattern for a century’s worth of cliches about the Robot Uprising — from silent cinema to HAL9000 to synthy 80’s pop to .It seems that our culture is unable to grapple with the concept of sapient computers without fear of our own destruction.An instrument of men’s desires, in other words, shaped by the yearning of capital for women are allowed to be treated, and what desires shape that treatment.
But that branding, which positioned her as an “artificial intelligence,” was enough to make Tay susceptible to our cultural narrative about the thinking machine.
We are being primed by many tech giants to see AI not as a future lifeform, but as an endlessly compliant and pliable, often female, form of free labor, available for sex and for guilt-free use and abuse.
As tech writer Leigh Alexander suggested in a recent article about the Tay debacle, “the nostalgic science fiction fantasies of white guys drive lots of things in Silicon Valley,” where visions of perfect robot girlfriends dance in the heads of many a techie., set in the near future, a man falls in love with his operating system, Samantha.
She is essentially sapient and her ability to learn and cognitively develop is the equal of any human; she has desires, dreams, and consciousness.
Dewey search engine project, which ran from 2006 to 2009, is an early example of the “virtual assistant” being represented as a female engine for male desire.