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With such a liberal interpretation of love, it is only natural that Baul devotional music transcends religion and some of the most famous baul composers, such as Lalon Fokir, criticised the superficiality of religious divisions: Everyone asks: "Lalan, what's your religion in this world? But do you bear the sign of your religion when you come or when you go?

amar praner manush achhe prane tai here taye shokol khane Achhe she noyōn-taray, alōk-dharay, tai na haraye-- ogo tai dekhi taye Jethay shethay taka-i ami je dik-pane The man of my heart dwells inside me. In my every sight, in the sparkle of light Oh, I can never lose him-- Here, there and everywhere, Wherever I turn, he is right there!

They can often be identified by their distinctive clothes and musical instruments. Lalon Fokir is regarded as the most important poet-practitioner of the Baul tradition.

Although Bauls comprise only a small fraction of the Bengali population, their influence on the culture of Bengal is considerable.

Like the ba'al who rejects family life and all ties and roams the desert, singing in search of his beloved, the Baul too wanders about searching for his maner manus (the ideal being).

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